01 — the object
Aufan. First‑year BSc in Data Science at the University of Melbourne, by way of Surabaya. Everything he has made is cut into one stone — shipped work on the faces that tilt up, work still in the vice on the faces that tilt down. Grab it and turn it over.
FACET 01/12
upper ring
drag to turn · ←→ step ring · ↑↓ poles · click a face
facet in front
00 · north pole
the cap you land on
Goes by Aufan. Surabaya → Melbourne. First‑year BSc, Data Science, University of Melbourne. Writes the story bible before the engine, instruments the combat before he tunes it, and pulls the espresso at six in the morning either way.
01 · upper ring
live — taking orders
An anime‑merch storefront with a reels pipeline bolted to the back of it. New product in, edited vertical video out, posted — without him touching the timeline.
0manual steps from product to posted reel
02 · upper ring
live — bookable now
His week as a board other people can read and book straight into. Serverless functions talk to Google Calendar, so the board is never a copy of the truth — it is the calendar.
1source of truth, not two
03 · upper ring
live — in the field
A hiking matcher that pairs people by the trails they actually walk, not the ones they say they like. Row‑level security on every table, because a location history is not a social feature you get to be casual about.
50,000GPS fixes carried
04 · upper ring
playable — go and die in it
A roguelike written straight onto a 2D canvas. Content is the whole argument: the run stays interesting because the table it draws from is genuinely deep.
136weapons98enemies28bosses17biomes
05 · upper ring
live — her label, his build
A bilingual brand site for his sister's fanart label. English and Indonesian written as two first languages rather than one plus a translation — the tone has to survive the switch, not just the words.
10.7kfollowers on Shopee behind it
06 · lower ring
in the vice
Co‑op action in Unity. He instrumented the combat loop before tuning it, then cut time‑to‑kill from eight seconds to two and change — measured, not guessed.
8.0s → 2.2sper kill, after instrumenting
07 · lower ring
in the vice
A JavaScript action‑RPG whose story bible was finished before a line of engine code existed. Every system in it has to answer to a world that already had rules.
Bible firstthen the engine
08 · lower ring
in the vice
A proxy that sits in front of an AI agent with its hand on the switch. If the agent starts doing something it should not, you do not negotiate with it — you cut the line.
1switch, and it is off by default
09 · lower ring
in the vice
Point a phone at what is in the fridge and get told how long it has left. Computer vision on‑device, because the question is asked at the bin, not at a desk.
1 photois the entire input
10 · lower ring
in the vice
Video as code in Remotion, with the sound cut to the frame rather than laid over the top. If a hit lands on frame 34, the sound is on frame 34 — every render, every time.
frame‑exactsound, deterministic renders
11 · south pole
the underside of the stone
Open to graduate and internship work in data, software and anything that needs someone who will measure it first.
how to read the stone
bright brass — shipped, live
amber — playable now
dark bronze — in the vice
vermilion — the facet in front
02 — off the screen
The stone above only holds the code. This one turns the other way — a drum of nine photographs, spun by hand. Front panel is the one talking.
drag the drum sideways · ←→ step panels
03 — the underside
Turn the stone all the way over
and this is what is cut into the bottom.